As part of the CraftWork 4.0 All framework, we invite you to join Soft Systems, an intensive interdisciplinary workshop that explores the intersection of code and cloth.
Craft ‘ n ‘ More: Tufting Workshop
11 Oct
Start Date
11/10/2025
Location
Nova Iskra Savamala, Garvila Principa 43, Belgrade
12 Oct
End Date
12/10/2025
Instructor
Duration
one day workshop
Program Language
Serbian and English
Program Slots
/
Fee
free with registration
What is it about?
How does yarn transform into a relief-like, tactile image?
In this workshop, we will explore the playful and experimental side of tufting – from working with the tufting gun, to punch needle techniques, to carving and shaping different heights and textures.
Register here.
Who is it for?
No prior experience required – just curiosity and the willingness to explore.
What's in it for me?
At the end, everyone will come together to complete one large collaborative piece – a mosaic that unites different styles, hands, and ideas.
This is not just a “try the gun” workshop – it’s an opportunity to discover what tufting can really be: to ask questions (there are no stupid ones!), to see how texture and material transform the feel and look of a piece, and to experience a collective, tactile process of making.
How will I learn
Working in small groups, participants will rotate through several stations and try out:
- tufting gun (short and long pile)
- carving and shaping (scissors and trimmer)
- punch needle technique
- different materials (wool, acrylic, cotton, mohair)
Led by artist Marijana Janković
The program is part of the project CraftWork 4 All.
Instructor

Marijana Janković
Textile artist
Marijana Janković aka NIGHTMARA is a self-taught textile artist and has a degree in German literature and worked in translation as well as in journalism before moving into art. Her carpets, handmade in wool, and exploring pop culture in general as well as dreams and visions, strike by the tension between their often apparent comical motifs and the actual hard, patient work that is needed to produce them. This combination of fun and craft is in tune with our Zeitgeist, enhanced by pandemic-induced homebound melancholy and boredom.
With Laufer Gallery from Zürich, she has participated in Bienvenue ArtFair in Paris, had a solo show in Zürich, and a solo in Belgrade, Serbia.
Recent shows include: group show at Galerie Fran Reus in Palma, Mallorca; online show at The Curators, Paris/NY; group show at BIEN Textile Art Biennale in Kranj, Slovenia.
Within this program
What happens when creative minds from across Europe come together around a shared challenge?
26 Jul
Sunday, 26. Jul
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Radionica
Specijalni program
Radionica
Specijalni program
Successfully Realized Workshop: Soft Systems: Generative Art and Embroidery
26 Jul
Sunday, 26. Jul
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The final knowledge-sharing session of Collab4HySust CCI will take place in Greece and online
26 Jul
Sunday, 26. Jul
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Radionica
Kurs
MADE IN Residency – Glass: From Heritage to Circular Economy
Irish and Dublin-based artis James Early will join the team od Stanišić Atelier in Sombor for a one-month residency. His work emanates the notion of constructive deconstruction inherit to the artisanry of stained-glass. His work delas with: “wide ranging themes of power, societal imbalances, religion, politics and ultimately, the inhumanity of man. His artworks are a visual meditation and reflection of these themes”.
Through the preparatory stages and conceptualization of this residency stay James and Aleksandra Stanišić established vivid communication and got acquainted with each other’s professional and family history – they both come from a long line of stained-glass makers.
Together they will work on developing a paravane piece influenced and inspired by street art, graphic design, digital art, and heritage objects in Serbia (glass collection from the Museum of Applied Art in Belgrade, street-urban scene, monuments of WWII). The expected result will fuse the digital tools and the hand-made, craft-based execution.
The final piece will be exhibited in the Museum of Applied Art in Belgrade in December 2024.
James Early
James Earley lives and works in Dublin. His artistic practice draws from street art, graphic design and passed down knowledge of stained glass making. His signature is the visual deconstruction of form, carefully constructed in new symmetry and balance. James’s pieces are made through application of digital tools in service of analogue artworks, “he embraces technology to create complex, layered, highly charged compositions”. In 2020 and 2019, he exhibited his work at “VUE, RHA” in Dublin, “Art on Paper” in New York, “Venice Glass Week”, “Seattle Art Fair” and “RHA Annual Exhibition” in Dublin. James was awarded the Business to Arts, Best Use of Creativity in the Community Award in 2019.
Insta: https://www.instagram.com/james_earley/
Atelier Stanišić
Atelje Stanišić (Stanišić Atelier) is the oldest still operating stained glass workshop in Serbia. Established in 1908 in Sombor by Milan Stanišić, it has for five generations been the home of stained-glass production, decorating buildings in Serbia and abroad. Today, the four-people team in its workshop creates new and restores old works under the mindful eye of Aleksandra Stanišić. Aleksandra’s daughter Ena Borovac seems to be the next in the line of “glass lovers”, knowing the craft and thinking of new understanding of the technique and its possibilities in contemporary terms.
26 Jul
Sunday, 26. Jul
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Sombor (Stanišić Ateleir) and Belgrade (Museum of Applied Art)
Prezentacija
Specijalni program
Collab 4 HySust CCI: Hybrid Horizons: Cultivating Creativity and Audience Engagement
Join us for the third Collab4HySust CCI event – an international knowledge-sharing hybrid event.
Event Details:
Date: May 10, 2024
Location: Nova Iskra Dorćol, Belgrade, Serbia, and Online
Registration until May 5.
Radionica
Specijalni program
Collab 4 HY Sustain CCI Launches Open Call for Cultural and Creative Initiatives
CALL FOR PROPOSALS: UNLEASH YOUR CREATIVE POTENTIAL WITH TWO EXCITING OPPORTUNITIES!
26 Jul
Sunday, 26. Jul
We encourage eligible cultural and creative organizations, particularly those from Italy, Bulgaria, Serbia, Greece, and Denmark, or cross-border initiatives involving partners from these countries, to apply